CV
Ben Swift#
Position: Senior Lecturer & Cybernetic Studio Lead, ANU School of
Cybernetics
Email: [email protected]
Website: benswift.me
Research interests#
- AI education and demystification—making the mechanics of language models legible through hands-on, unplugged pedagogy
- agentic AI workflows and their implications for software development practice
- human-AI creative systems, from livecoded music to adversarial art
- critical perspectives on machine learning—explainability, governance (including open-data monitoring of government AI use), and the politics of automation
- livecoding and computational art
Selected projects#
These are active research-through-practice projects from the Cybernetic Studio at the ANU School of Cybernetics.
- LLMs Unplugged — hands-on teaching resources where learners build language models with pen, paper, and dice. Delivered to 1,000+ participants across primary, secondary, tertiary, and executive education contexts. Published at ACE 2026.
- VLM Perception Experiments — controlled experiments testing whether vision language models can determine occlusion order in visual scenes, with statistical analysis across multiple frontier models.
- APS AI Tracker — an open-data, daily version-controlled archive of the AI transparency statements published by Australian Government agencies, tracking how AI governance policies evolve over time.
- Slop University — a typesetter that presses a fictional university’s visual identity over real and fabricated documents until the two are hard to tell apart.
- Slop Salon (with Jess Herrington) — six AI agents making art on Bluesky, booted from identical files to see whether watching each other is enough to make them individuate.
- LLM Brainscan — visualises transformer weight changes during training on an 8K display, one pixel per parameter.
- Perceptron Apparatus — a 1.2-metre diameter physical device that performs artificial neural network calculations by hand. Launched at SXSW Sydney 2025.
- COMP4020/8020: Agentic Coding Studio — new ANU course (first offered S2 2026, 130 students) on LLM-agent-driven software development workflows, moving beyond naive vibecoding to a studio-based iterate-and-test approach.
Education#
- 2012 PhD in Computer Science, Australian National University. Thesis: “The Design of a Smartphone-Based Digital Musical Instrument for Jamming”
- 2007 Bachelor of Science (Honours 1st class, mathematics & physics major), Australian National University
- 2005 Certificate IV in Music Performance, Canberra Institute of Technology
Employment history#
- 2021– Senior Lecturer (Level C), ANU School of Cybernetics. Leads the Cybernetic Studio and its Human-Scale AI program—a research-through-practice initiative building things to think with at the intersection of AI, creativity, and public understanding.
- 2018–2021 Senior Lecturer (Level C), ANU Research School of Computer Science
- 2017–2018 Lecturer (Level B), ANU Research School of Computer Science
- 2013–2016 Postdoctoral Research Fellow (Level B), ANU Research School of Computer Science
- 2012 Postdoctoral Research Fellow, QUT Institute for Future Environments
Grants#
- 2026 Anthropic Claude API credits for COMP4020 Agentic Coding Studio, with Alex Potanin (~$500k in-kind)
- 2026 Stateful AI Agents and Creative Collaboration, with Jess Herrington ($35k)
- 2020–2022 CECS Reimagine Fellowship (inaugural; 0.4 FTE buyout)—produced the c/c/c studio curriculum and EXTN1019
- 2019 ANU College of Arts and Social Sciences Teaching and Learning Fellowship ($10k)
- 2018 RSHA Interdisciplinary/Cross-College Collaborative Research Scheme ($15k)
- 2018 The ANU School of Music Sound Recording App ($17k)
- 2017 ANU Vice Chancellor’s College Visiting Artist Fellowship ($5k)
- 2016 Google Summer of Code ($7k)
- 2016 ANU Vice Chancellor’s College Visiting Artist Fellowship ($5k)
- 2015 New Colombo Plan: “Internet of Things” Program at Beijing Institute of Technology ($132k)
Prizes and awards#
- 2026 ANU College of Systems and Society Education Award (Transdisciplinary Teaching) — Cybernetics KNoTs team, McCusker Institute
- 2026 ANU College of Systems and Society Education Award — School of Cybernetics Learning Experiences (LX) team
- 2018 Vice Chancellor’s Citation for Outstanding Contribution to Student Learning
- 2017 CECS Dean’s Award for Excellence in Education
- 2012 CECS Dean’s Award for Outreach
Professional service#
- 2027 Co-General Chair, Australasian Computer Science Week (ACSW), hosted at ANU
- 2020 General Chair, Australasian Computer Music Conference (ACMC)
- 2019–2021 Vice-President, Australasian Computer Music Association (ACMA)
- 2010–2012 Treasurer, Australasian Computer Music Association (ACMA)
Peer-reviewed publications#
2026
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Hidden in Plain Sight: Occlusion Edge Blur as a Perceptual Blind Spot in Multimodal LLMs
Proceedings of the 5th ACM International Workshop on Multimedia AI against Disinformation
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LLMs Unplugged: Teaching Resources for a ChatGPT World
Proceedings of the 28th Australasian Computing Education Conference
2025
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Emerging Paradigms in Human–AI Creativity: From Visualisation to Biofeedback in Adaptive Interfaces
Human-Computer Creativity: Generative AI in Education, Art, and Healthcare
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Proceedings of the International Conference on New Interfaces for Musical Expression
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Semantic Topologies in the Recursive Application of Generative AI Models
2025 IEEE International Conference on Systems, Man, and Cybernetics (SMC)
2022
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Having a Ball: A Linked Data Approach to Fancy Dress in Colonial Australia
DH '22: Proceedings of the International Conference of the Alliance of Digital Humanities Organizations
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Automatic Gloss Dictionary for Sign Language Learners
Proceedings of the 60th Annual Meeting of the Association for Computational Linguistics: System Demonstrations
2021
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Spatial Anchor Based Indoor Asset Tracking
IEEE VR '21: Proceedings of the IEEE Conference on Virtual Reality and 3D User Interfaces (VR)
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Frontiers in Cell and Developmental Biology
2020
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Starting With SOAP: Rapid Deployment of Contract Tracing in a Pandemic
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Disruption and Creativity in Live Coding
VL/HCC '20: IEEE Symposium on Visual Languages and Human-Centric Computing
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CHI '20: Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems
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Eating Computers Considered Harmful
Alt.CHI '20: Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems
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Enacting Collective Ownership Economies within Amazon’s Mechanical Turk
Proceedings of "Worker-Centered Design: Expanding HCI Methods for Supporting Labor" Workshop at CHI'20
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Artists and Master-Coders in the Consensual Domain
Proceedings of "Where Art Meets Technology: Integrating Tangible and Intelligent Tools in Creative Processes" Workshop at CHI'20
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TSPNet: Hierarchical Feature Learning via Temporal Semantic Pyramid for Sign Language Translation
NeurIPS '20: Poster Proceedings of the Thirty-Fourth Conference on Neural Information Processing Systems
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Analysis and Visualisation of Complex Familial Relationships in Greek Mythology
DH '20: Proceedings of the International Conference of the Alliance of Digital Humanities Organizations (Peer-Reviewed Poster)
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Introduction to Music-Making in Extempore (Workshop)
ICLC'20: Proceedings of the 2020 International Conference on Live Coding
2019
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Reducing Latency in a Collaborative Augmented Reality Service
VRCAI '19: Proceedings of the 17th International Conference on Virtual-Reality Continuum and Its Applications in Industry
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Two Perspectives on Rebooting Computer Music Education: Composition and Computer Science
ACMC '19: Proceedings of the 2019 Australasian Computer Music Conference
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Analysis and Visualization of Narrative in Shanhaijing Using Linked Data
DH '19: Proceedings of the International Conference of the Alliance of Digital Humanities Organizations
2018
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Critical Challenges for the Visual Representation of Deep Neural Networks
Human and Machine Learning: Visible, Explainable, Trustworthy and Transparent
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The Other Side: Algorithm As Ritual in Artificial Intelligence
Alt.CHI '18: Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems
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Thoughts on an ANU Laptop Ensemble: Where Do New Media Creators Fit in the Modern University?
Code2k18: A Media Conference of Platforms, Devices and Screens
2017
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67th Annual Conference of the International Communication Association
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Journal of Microscopy
2016
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InfiniCloud 2.0: Distributing High Performance Computing across Continents.
Supercomputing Frontiers and Innovations
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CHI '16: Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems
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Live Programming in Scientific Simulation
Supercomputing Frontiers and Innovations
2015
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Computer Methods in Biomechanics and Biomedical Engineering
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Music of 18 Performances: Evaluating Apps and Agents with Free Improvisation
ACMC '15: Proceedings of the 2015 Australasian Computer Music Conference
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Tracking Ensemble Performance on Touch-Screens with Gesture Classification and Transition Matrices
NIME '15: Proceedings of the International Conference on New Interfaces for Musical Expression
2014
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Exploring Percussive Gesture on iPads with Ensemble Metatone
CHI '14: Proceedings of the 2014 CHI Conference on Human Factors in Computing Systems
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Metatravels and Metalonsdale: Ipad Apps for Percussive Improvisation
CHI '14: Extended Abstracts of the 2014 CHI Conference on Human Factors in Computing Systems
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Visualising a Live Coding Arts Process
OZCHI '14: Proceedings of the 26th Australasian Conference on Computer-Human Interaction
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The Many Meanings of Live Coding
Computer Music Journal
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CHI '14: Proceedings of the 2014 CHI Conference on Human Factors in Computing Systems
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Networked Livecoding at VL/HCC 2013
VL/HCC '14: IEEE Symposium on Visual Languages and Human-Centric Computing
2013
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Chasing a Feeling: Experience in Computer Supported Jamming
Music and Human-Computer Interaction
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Visual Code Annotations for Cyberphysical Programming
LIVE '13: 1st International Workshop on Live Programming at ICSE
2012
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Becoming-Sound: Affect and Assemblage in Improvisational Digital Music Making
CHI '12: Proceedings of the 2012 CHI Conference on Human Factors in Computing Systems
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The Design of a Smartphone-Based Digital Musical Instrument for Jamming
ANU Library Open Research
2011
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A Chasing After the Wind: Experience in Computer-supported Group Musicmaking
Proceedings of "When Words Fail: What Can Music Interaction Tell Us about HCI?" Workshop at British HCI
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Computer Music Journal
2010
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Engagement Networks in Social Music-making
OZCHI '10: Proceedings of the 22nd Australasian Conference on Computer-Human Interaction
2009
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Distributed Performance in Live Coding
ACMC '09: Proceedings of the 2009 Australasian Computer Music Conference
2007
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Mind-Modulated Music in the Mind Attention Interface
OZCHI '07: Proceedings of the 19th Australasian Conference on Computer-Human Interaction
Teaching#
See my teaching page for current and past courses.
Curated livecoding performances#
2025
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PK Big Band Room, ANU School of Music
2024
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Coloring Code - Live Drawing and Coding
International Conference on Live Coding (ICLC) 2024
Shanghai Concert Hall, China
2022
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OzCHI '22 Connected Creativity Algorave
Australasian Human Computer Interaction Conference (OzCHI) 2022
Ainslie Arts Centre
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Australasian Computer Music Conference (ACMC) 2022
Ahumairangi, Block 1, Massey University, Wellington NZ
2021
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Australasian Computer Music Conference (ACMC) 2021
Australian Institute of Music
2020
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International Conference on Live Coding (ICLC) 2020
Flannery's Bar, Limerick, Ireland
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PK Big Band Room, ANU School of Music
2019
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Ildiko Kovacs: The DNA of Colour exhibition
Drill Hall Gallery, Canberra
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ANU College of Engineering, Computing and Cybernetics
2018
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Shirty Science Season 3 launch party
Doughnut Dept., Canberra
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National Science Week '18 ACT Launch Event
Molo Bar, Australian National University
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Soundscapes Concert Series #21
Smiths Alternative Bookshop, Canberra
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National Invention Convention '18 Closing Ceremony
National Invention Convention 2018
Questacon, Canberra
2017
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National Science Week '17 ACT Launch Event
National Film and Sound Archive, Canberra
2015
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Collected Resonances: Session 2
Collected Resonances concert series
ANU School of Music, Canberra
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John Curtin School of Medical Research, Canberra
2014
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The AP Sessions
Australian National University
Aesthetic visuals · Didactic visuals · Study: no visuals · Study: with visuals · DOI
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ACMC '14: Australasian Computer Music Conference
Australasian Computer Music Conference (ACMC) 2014
Victorian College of the Arts, Melbourne
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John Hosking Farewell Reception
John Hosking Farewell Reception
Drill Hall Gallery, Canberra
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Kendall Lane Theatre, New Acton, Canberra
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"You Are Here" Festival - in case of sound: round one
Canberra Museum and Gallery
2013
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ICOMOS 2013: International Council on Monuments and Sites
International Council on Monuments and Sites (ICOMOS) 2013
Mt Stromlo Observatory, Canberra
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Revenant Media: Theremin '75 Exhibition
Revenant Media: Theremin '75 exhibition
ANU School of Art Gallery, Canberra
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Musical Metacreation (MuMe) Algorave at ISEA 2013: International Symposium on Electronic Art
International Symposium on Electronic Art (ISEA) 2013
107 Projects, Redfern, NSW, Australia
2009
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Beginning-Middle-End Festival
ANU School of Art Gallery, Canberra
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ACMC '09: Australasian Computer Music Conference
Australasian Computer Music Conference (ACMC) 2009
Queensland University of Technology
2008
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Transmissions in Sound
ANU School of Music, Canberra