Feedback in livecoding: cui bono?

Dr Ben Swift

control & communication in the livecoder and the machine

I acknowledge the First Australians on whose traditional lands we meet, and pay respect to the elders past and present.

the central problem

what is oldmate actually doing up there?

what does cybernetics say?

control & communication in the (livecoding) animal and the machine

what are the flows of information — and cui bono, for whose benefit?

watching

what did you pay attention to, and why?

what was missing — what else did you want to know?

I’m a livecoder — AMA

stage designer wanted

pitch me: what’s your vision for the performance setup?

what should the performer see? what should be hidden?

where are the loops?

questions?