2016

  • Jakub Chrzeszczyk, Andrew Howard, Andrzej Chrzeszczyk, Ben Swift, Peter Davis, Jonathan Low, Tin Wee Tan, and Kenneth Ban. InfiniCloud 2.0: distributing High Performance Computing across continents. Supercomputing frontiers and innovations, 3(2):54–71, June 2016. [ DOI | http ]

  • Ben Swift, Andrew Sorensen, Henry Gardner, Peter Davis, and Viktor K. Decyk. Live Programming in Scientific Simulation. Supercomputing frontiers and innovations, 2(4):4–15, March 2016. [ DOI | http ]

  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens. In Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, CHI '16, pages 2295–2306, 2016. ACM. [ DOI | http ]

  • 2015

  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. Music of 18 Performances: Evaluating Apps and Agents with Free Improvisation. In ACMC '15: Proceedings of the 2015 Conference of the Australasian Computer Music Association, pages 85–94, November 2015.

  • Xiaojuan Duan, Jianping Wu, Ben Swift, and Thomas Brett Kirk. Texture analysis of the 3d collagen network and automatic classification of the physiology of articular cartilage. Computer methods in biomechanics and biomedical engineering, 18(9):931–943, 2015.

  • 2014

  • Ben Swift, Andrew Sorensen, Michael Martin, and Henry Gardner. Coding Livecoding. In Proceedings of the 32Nd Annual ACM Conference on Human Factors in Computing Systems, CHI '14, pages 1021–1024, 2014. ACM. [ DOI | http ]

  • Charles Martin, Henry Gardner, and Ben Swift. Exploring Percussive Gesture on iPads with Ensemble Metatone. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI '14, pages 1025–1028, 2014. ACM. [ DOI | http ]

  • Charles Martin, Henry Gardner, and Ben Swift. Metatravels and Metalonsdale: Ipad Apps for Percussive Improvisation. In CHI '14 Extended Abstracts on Human Factors in Computing Systems, CHI EA '14, pages 547–550, 2014. ACM. [ DOI | http ]

  • Andrew Sorensen, Ben Swift, and Alistair Riddell. The Many Meanings of Live Coding. Computer Music Journal, 38(1):65–76, 2014. Volume 38, Number 1, Spring 2014/p. [ .html ]

  • Arrian Purcell, Henry Gardner, and Ben Swift. Visualising a Live Coding Arts Process. In Proceedings of the 26th Australian Computer-Human Interaction Conference on Designing Futures: The Future of Design, OzCHI '14, pages 141–144, 2014. ACM. [ DOI | http ]

  • 2013

  • Ben Swift, Andrew Sorensen, Henry J Gardner, and J Hosking. Visual Code Annotations for Cyberphysical Programming. In Live '13: Workshop on Live Programming at ICSE '13, January 2013.

  • Ben Swift. Chasing a Feeling: Experience in Computer Supported Jamming. In Simon Holland, Katie Wilkie, Paul Mulholland, and Allan Seago, editors, Music and Human-Computer Interaction, Springer Series on Cultural Computing, pages 85–99. Springer London, January 2013. [ http ]

  • 2012

  • Ben Swift. Becoming-sound: Affect and Assemblage in Improvisational Digital Music Making. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, CHI '12, pages 1815–1824 [ DOI | http ]

  • 2011

  • Ben Swift, Henry J Gardner, and Alistair Riddell. A Chasing After the Wind: Experience in Computer-Supported Group Music-Making. In When Words Fail: What can music interaction tell us about HCI? Workshop at BCS HCI 2011, January 2011.

  • Ben Swift. Impish Grooves. Computer Music Journal, 35(4):119–137, January 2011. [ http ]

  • 2010

  • Ben Swift, Henry Gardner, and Alistair Riddell. Engagement Networks in Social Music-making. In Proceedings of the 22Nd Conference of the Computer-Human Interaction Special Interest Group of Australia on Computer-Human Interaction, OZCHI '10, pages 104–111, 2010. ACM. [ DOI | http ]

  • 2009

  • Ben Swift, Henry J Gardner, and Alistair Riddell. Distributed Performance in Live Coding. In ACMC '09: Proceedings of the Australasian Computer Music Conference, January 2009.

If you have trouble tracking any of these down, send me an email and I can probably rustle you up a pre-print.

Curated Artistic Performances

  • Swift, Ben (2014). In: "You Are Here" Arts Festival. April 2014, Canberra, Australia. Curator: Tom Swann.
  • Swift, Ben and Torben Sko (2014). In: "Art, Not Apart" Festival. April 2014, Canberra, Australia. Curator: David Caffery.
  • Swift, Ben and Andrew Sorensen (2013). In: MUME '13: Musical Metacreation Weekend at ISEA 2013: International Symposium on Electronic Art. June 2013, Sydney, Australia. Curator: Oliver Bown.
  • Swift, Ben (2013). In: Revenant Media: Theremin '75 Exhibition, ANU School of Art. October 2013, Canberra, Australia. Curator: Martin Jolly.
  • Swift, Ben (2010). In: "Beginning, Middle, End" Festival, ANU School of Art. September 2010, Canberra, Australia. Curator: Martin Jolly.
  • Swift, Ben (2009). In: Australasian Computer Music Conference. June 2009, Brisbane, Australia.
  • Swift, Ben (2008). In: "Transmissions in Sound" Festival, ANU School of Art. October 2008, Canberra, Australia.